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13 result(s) for "Narnia (Imaginary place) Fiction."
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The Chronicles of Narnia and Philosophy
The Chronicles of Narnia series has entertained millions of readers, both children and adults, since the appearance of the first book in 1950. Here, scholars turn the lens of philosophy on these timeless tales. Engagingly written for a lay audience, these essays consider a wealth of topics centered on the ethical, spiritual, mythic, and moral resonances in the adventures of Aslan, the Pevensie children, and the rest of the colorful cast. Do the spectacular events in Narnia give readers a simplistic view of human choice and decision making? Does Aslan offer a solution to the problem of evil? What does the character of Susan tell readers about Lewis's view of gender? How does Lewis address the Nietzschean “master morality\" embraced by most of the villains of the Chronicles? With these and a wide range of other questions, this provocative book takes a fresh view of the world of Narnia and expands readers' experience of it.
The silver chair
Two English children undergo hair-raising adventures as they go on a search and rescue mission for the missing Prince Rilian, who is held captive in the underground kingdom of the Emerald Witch.
The lion, the witch and the wardrobe
Four English school children find their way through the back of a wardrobe into the magic land of Narnia and assist Aslan, the golden lion, to triumph over the White Witch who has cursed the land with eternal winter.
Sir Thomas Browne, Screwtape, and the \Amphibians\ of Narnia
The badger's potentially puzzling statement hints at a definition of humanity far more profound than an arbitrary worldbuilding technique, as the crucial place of people in Narnia mirrors Lewis' view of humanity's role in God's creation. This view appears most succinctly in The Screwtape Letters, where Screwtapes description of human beings as half physical, half spiritual \"amphibians\" directly and deliberately echoes Sir Thomas Browne, a seventeenth-century writer and physician. While it is not stated as explicitly in Narnia, Lewis expands this metaphor of amphibious humanity in his fictional world. For Lewis, as for Browne earlier, humanity's participation in two natures is an essential element of human self-hood, which although making humanity susceptible to fall, also grants a unique ability to participate in creation's redemption.